Zulfikar Ali Bhutto on "Art, Gender, and Sexuality"

We are so pleased to finally release our conversation with artist, performer, and curator Zulfikar Ali Bhutto for our Art, Gender, and Sexuality segment. We talk about Bhutto’s journey around the world to his current home in San Francisco, his queer, Muslim, futuristic, revolutionary, zombie drag performance alter-ego Faluda Islam, Bhutto’s collaborations, and his work in Queer Muslim Futurisms.

Tiffany Shaw-Collinge on "Art and Climate Crisis"

Head over to Soundcloud (or Apple Music, Spotify, We Heart Radio, or your chosen podcast subscription service) to listen to our latest release with Métis artist and architect Tiffany Shaw-Collinge, where we discuss holistic sustainability, Ocicicwan Contemporary Art Collective, and Contemporary Indigenous Art and Architecture.

“Tiffany Shaw-Collinge is an interdisciplinary artist, curator and registered architect based in Edmonton, Alberta. She holds a BFA from Nova Scotia College of Art and Design (NSCAD) University, a Masters in Architecture from the Southern California Institute of Architecture (SCI-Arc). Tiffany has exhibited widely including the Architecture Venice Biennale, Winnipeg Art Gallery and more recently the Chicago Architecture Biennial. She has been the recipient of a major commission for Edmonton's Indigenous Art Park, among other public art projects, has produced several notable transitory art works and is a core member of Ociciwan Contemporary Art Collective. Tiffany was born in Calgary, Alberta and raised in Edmonton - her Métis ancestry comes from Fort McMurray via the Red River. “

Pinar Yoldas on "Art and Climate Crisis"

Head over to Soundcloud to tune in to our latest episode for our "Art and Climate Crisis" segment with Pinar Yoldas! Pinar is an infradisciplinary designer/artist/researcher. Her work develops within biological sciences and digital technologies through architectural installations, kinetic sculpture, sound, video and drawing with a focus on post-humanism, eco-nihilism, anthropocene and feminist technoscience.

Her solo shows include The Warm, the Cool and the Cat at Roda Sten Konsthall (2016), Polyteknikum Museum Moscow (2015), An Ecosystem of Excess, Ernst Schering Project Space among many. Her group shows include ThingWorld, NAMOC National Art Museum of Beijing (2014); Transmediale Festival, Berlin (2014), ExoEvolution at ZKM (2015), 14th Istanbul Biennial (2015), Taiwan National Museum of Fine Arts (2016).

Pinar’s residencies include the MacDowell Colony, UCross Foundation, VCCA, National Evolutionary Synthesis Center, Duke University, Quartier21 Künstlerstudio-Programm, Transmediale Villem Flusser research residency at UdK Berlin. She has been an invited speaker at SAIC, Haus der Kulturen der Welt, Northwestern University, Angewandte Kunst, University of Arizona, Reed College, University of Buffalo, BacNet15, Penn State and UCLA among many others. Her work has been featured in Arte TV, Die Welt, The Creators Project, Art21 Blog, Der Spiegel, Vogue Turkey and Artlink BioArt issue to name a few.

She holds a Ph.D. from Duke University where she was affiliated with Duke Institute of Brain Sciences and Media Arts and Sciences. She holds a Bachelors of Architecture from Middle East Technical University, a Master of Arts from Bilgi University, a Master of Science from Istanbul Technical University and a Master of Fine Arts from University of California, Los Angeles where she worked at the Art|Sci Center and the UCLA Game lab. Her book An Ecosystem of Excess was published by ArgoBooks in 2014. Pinar is a 2015 John Simon Guggenheim Fellow in the Fine Arts and a 2016 FEAT Future Emerging Arts and Technologies Award recipient.

She holds a bronze medal in organic chemistry in the national science olympics and had her first solo painting exhibition when she was five.  

Carol Rashawnna Williams on "Art and Climate Crisis"

It is time to listen to the first episode of our Art and Climate Crisis segment with Carol Rashawnna Williams. Through her work, Williams presents climate crisis through the lens of racial inequalities. Her often-communal art experiences explore our personal relationships to the land in order to promote healing, and further our understanding and personal responsibilities—to the earth and to each other.

In addition to her creative endeavors, Williams herself is active in community-building, and has been certified through Seattle Parks & Rec as an Urban Forest Educator, spending time teaching about “…conifers, indigenous, and invasive species.”

Listen on Soundcloud, Apple Music***, and Spotify to hear us talk about all of this, her childhood in Germany and Tacoma, the changing face of Seattle, how structural inequity affects climate concerns, and what individuals can do to make a difference.

Our Episode with Carol Rashawnna Williams is almost here.

It has been A While since we recorded with Carol Rashawnna Williams for our Art and the Environment segment. Right before the Covid19 pandemic really hit the US, in fact (which is part of what has taken so long) but look for her episode to hit @criticalboundspodcast over the next few days. Image: "WATER". (2017). Carol Rashawnna Williams (Instagram @k_love_4art @klove4art). Painting, oil monoprint on canvas, 72 x 72". Photo by Chloe at Artist Trust.